Pubdate: Tue, 26 Aug 2008 Source: Nelson Daily News (CN BC) Copyright: 2008 Nelson Daily News Contact: http://www.mapinc.org/media/288 Note: The newspaper does not have an active website. Author: D.B. Wilton CONFESSIONS OF A RETIRED POT HEAD To the Editor: I see that the pot debate is raging again in the letters pages. (NDN, Thursday, August 21), a tempest in a tea pot so to speak. As usual the debate is highly polarized between those who love the sacred weed and those who see it as precursor to hard drugs, crime and even schizophrenia. Perhaps as someone of experience and a seeker of the Middle Way, I can inject a little realism into the discussion. Back in my hippie days on Fourth Avenue I sometimes saw the dealer pull up in his long yellow car but I was never tempted because I used my weed to generate paintings and poems and I thought that hard drug addicts seldom produced either. Like many lonely writers I found pot amenable to my practice for three reasons: first it overcame performance anxiety: the fear of the blank page and the rational mind's aversion to wasting yet another evening in useless scribbling. When I was high the page became a glowing portal to infinite possibilities. Secondly it enabled me to focus so intently on the immediate sequence of words that I no longer cared where they might lead and that meant I was in for an intricate journey of discovery through a labyrinth of memory and imagination. In short it made writing fun. Subsequently I read a medical brochure on the dangers of pot which warned against this "rigidity" of attention and I came to see that it does have a downside. While I was raptly following the unpredictable course of consecutive words I would often fail to notice that the stew pot had boiled dry and the dishes heaped in the sink were starting to become colonized by mold. Because the combination of pot and language was such an effective alternative to the existential conditions of solitude and poverty it reinforced those conditions. Over the years I became an adept wielder of words but also a bitter critic of the society that failed to reward my self-perceived talent, forcing me to rely on a miscellany of odd jobs and handouts to keep a roof over my typewriter and subsequent computers. I know that many famous works were written stoned, ranging from Kublai Khan to Beautiful Losers but when I attempted to write longer fiction and nonfiction I discovered that writing stoned made it impossible to give the work a sense of seemly proportion. The branches became too wordy and the tree of imagination failed to develop strong, earth-deep roots. In short I discovered that, if I were ever to find an audience for my words and give birth to whole and shapely works of literature, I would have to give up the sacred weed. I won't refuse a toke on the rare occasions that one comes my way but generally I'm too busy writing and reading to smoke and when I walk through the gratuitous beauty of a Kootenay summer I can see each flower, stone, child and crow as it is, in a world much less obscured by thought balloons of compulsive ideation. D.B. Wilton Nelson, B.C. - --- MAP posted-by: Jay Bergstrom